Introduction
Thomas Turino is a prominent ethnomusicologist who has made significant contributions to the study of music and culture. His research focuses on the social and cultural contexts of music-making and how music is used to create and maintain social identities. This blog post will explore the vibrant ethnomusicology research of Thomas Turino and his significant contributions to the field.
Section 1: Background
Thomas Turino was born in 1948 in Lawton, Oklahoma. He earned a Bachelor of Music degree from the University of North Texas, a Master of Musicology degree from the University of Illinois at Urbana-Champaign, and a Ph.D. in ethnomusicology from the University of California, Los Angeles.
Section 2: Ethnomusicology
Ethnomusicology is the study of music in its cultural context. It involves the examination of music as a cultural phenomenon and how it relates to people’s lives, their social identities, and their beliefs and values. Ethnomusicologists study various aspects of music such as its production, distribution, consumption, and meaning.
Section 3: Music and Identity
Thomas Turino’s research focuses on music’s role in the creation and maintenance of social identities. His work emphasizes the ways in which music is used to express and reinforce social identities such as nationality, ethnicity, gender, and class.
Section 4: Andean Music
One of Thomas Turino’s areas of research is Andean music. He has studied how music is used by the indigenous peoples of the Andes mountains to assert their cultural identity and resist assimilation by the dominant cultures.
Section 5: Critical Ethnomusicology
Turino’s work also includes the development of critical ethnomusicology, which is the critical examination of the power relations that exist within music and its contexts. He advocates for a more socially conscious approach to the study of music that takes into account the political and economic realities of music-making.
Section 6: Globalization
Another significant area of Turino’s research is the impact of globalization on music and culture. He notes that the globalization of music has led to the hybridization of musical traditions, creating new forms of music that are often influenced by Western popular music.
Section 7: Performative Theory
Thomas Turino has also contributed to the development of performative theory in ethnomusicology. This theory emphasizes the performative nature of music, in which musical performances are understood as social acts that create meaning and identity.
Section 8: Collaborative Ethnomusicology
Turino advocates for a collaborative approach to ethnomusicology that involves working closely with musicians and communities to better understand the musical practices and their social and cultural significance.
Conclusion
In conclusion, Thomas Turino’s research in ethnomusicology has made significant contributions to the study of music and its social and cultural contexts. His work has broadened the field of ethnomusicology to include critical perspectives and a deeper understanding of the power relations that exist within music and its contexts.
FAQs
What is ethnomusicology?
Ethnomusicology is the study of music in its cultural context, including its production, distribution, consumption, and meaning.
What is critical ethnomusicology?
Critical ethnomusicology is the critical examination of the power relations that exist within music and its contexts.
What is performative theory in ethnomusicology?
Performative theory in ethnomusicology emphasizes the performative nature of music, in which musical performances are understood as social acts that create meaning and identity.
How has globalization impacted music and culture?
Globalization has led to the hybridization of musical traditions, creating new forms of music that are often influenced by Western popular music.
What is collaborative ethnomusicology?
Collaborative ethnomusicology involves working closely with musicians and communities to better understand musical practices and their social and cultural significance.
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